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(Page 1 of 1 pages for this article ) Filed under: Products •Cameras •Hardware • Nikon At CES With The New D4Hands on impressions with Nikon’s latest flagship
At the beginning of January Nikon launched their new flagship pro camera, the D4. At CES in Las Vegas Nikon had a predictably large presence with the D4 and various other cameras with a strong push towards DSLR video production as well. I was able to get some hands on time with the D4 to check out some of the new features.
Firstly take a look at this quick video run through of the D4 and it’s features from Nikon’s Lindsay Silverman.
Full D4 shoulder rig with stereo microphone and headphones for monitoring. Nikon had an entire section of their stand dedicated to various video rig setups for their cameras. I’ve written about the video feature improvements of the Nikon D4 previously and it’s clear that in this segment of the market, they mean business, but are they too late ? So many people have switched to Canon lens kits now , it will be interesting to see of the D4 can claw some of them back. I’ve also hear a fair number of Nikon shooters complaining about the price increase on the D4. Most of seem to think that the extra money has gone into video development, and that’s a hard case to fault given the relatively lightweight photo improvements but enormous leaps in video features. The majority of stills shooters don’t want to shoot video though and this is something we’ve seen with Canon and the 1D X to some extent as well. The 1DX is $2000 more expensive than the previous 1D MK4, though at least it also represents an almost total redesign of the photographic side of things as well. Prior to the launch of the D4, Nikon had one of their best stills photographers shoot an adventure sports film with the camera. If you haven’t seen it, it’s definitely worth a watch below.
Video test center at the Nikon booth, complete with Cinevate slider.
 Just like Canon’s new 1D X , the D4 features a built in ethernet port for wired emote control. Nikon demonstrated remote focus control and monitoring of the camera’s view. I was quite impressed with the refresh rate on the screen, certainly not fast enough to pull focus on a recording video but very good for shooting remote photos. One thing that I was interested to try was the continuous auto focus in liveview/video mode. It uses contrast detect AF and so far nobody has really managed to implement it in a useful way, the D4 is no exception. Focus was terribly slow, pointless in my opinion. It’s the kind of focus you might get away with in a home movie video, but you aren’t going to be using this $6000 camera for home movies. For professional purposes it was inaccurate and just far too slow. I also tried the face detect mode, which did indeed lock onto faces pretty well but again I can’t see it being useful to a pro. Having the ability to monitor the cameras audio was my favorite feature though and there are on screen audio level meters. In terms of photographic features there are not many big improvements from the D3s. High ISO performance is reported to be about 2/3 of a stop better than the D3s but I was not allowed to put a CF card in to take any sample photos. As much as you can tell from the on screen previews it did appear to be pretty darned impressive but who knows how much noise reduction is applied to the JPEG screen preview. Ergonomically there are some very small changes but for me the next most interesting feature is the XQD card slot. I can’t help feeling that this is a mistake on Nikon’s part. As a Canon shooter I have long been frustrated by their implementation of a CF slot and an SD slot. Having to have two types of card is annoying, so I typically leave the SD slot empty. Now the Canon 1D X has 2 CF slots , at last ! And all of a sudden Nikon chooses to go with two formats instead. The XQD card format is a Sony invention and at first it seems impressive, but the problem is that whilst their specs are fast, Lexar just announced a 1000x CF card which is faster than the base XQD specs !! So what is the point of XQD ? Word on the show floor is that Sandisk and Lexar currently have no plans to make XQD cards at all !! Is this another Memorystick ? If I was a Nikon shooter I would be annoyed by this. The other big player on the Nikon stand was the 1-Series compact cameras. They have been incredibly popular in the consumer marketplace. Nikon displayed several prototype accessories which again showed their intention to have people shoot stills and video with all their cameras moving forwards. External monitors and microphones were just a couple of the future products we will see for the 1-series. They also displayed some upcoming lenses though no focal lengths were given.
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Nikon Launches The 36MP D800
Nikon has unveiled the new D800 today which features a 36MP full frame sensor along with all of the video function improvements we saw on the D4. In an interesting twist, Nikon will also be offering a D800E which is identical except for the omission of the anti-aliasing filter. This should provide increased sharpness in that variation, but at the expense of possible aliasing on patterned subjects. With the enormous processing power needed to deal with a 36MP image it comes as no surprise that the D800 is capable of a lower fps burst than it’s predecessor. 4fps in FX mode and 6fps in DX mode. It’s somewhat puzzling to see that they have also opted to go for two different flash card mediums and notably excluded the XQD format that was introduced in the D4.
Canon Launches Three New Lenses
The long awaited replacement to the Canon 24-70 f2.8 L workhorse has finally been unveiled alongside two unique new prime lenses. The new Canon 24-70 f2.8 L II is 10mm shorter than it’s predecessor as well as 150g lighter which will make a lot of people happy until they hear the suggested price of $2300! Canon also launched two new primes which are the first wide angle primes in the world to feature Image Stabilization. A 24mm f2.8 IS and a 28mm f2.8 IS. Both lenses appear to be very compact and will likely offer usable low shutter speeds which previously were only possible with a much larger aperture wide angle lens like a 24mm f1.4, but for half the size and half the cost.
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