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Thursday, January 12, 2012

Filed under: GentryMediaProVideo CoalitionInterviewsProductsCamerasHardware

A Look At JVC’s New 4K Camera And The Future Larger Sensor Interchangeable Lens Version

Dan Carr | 01/12

Intriguing first public look at prototype JVC 4k camera

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At CES JVC officially launched the GY-HMQ10 which is said to be the world’s first handheld 4K camera.  A walk through the JVC booth also yielded a further surprise though, tucked away in a corner, behind glass was another 4K camera but this one had a Nikon F-Mount.  This is the first time the camera has been shown in public and whilst it’s very much a work in progress , the interchangeable lenses and larger sensor than the HMQ10 make this look like a very interesting proposition with a possible price point of $10,000.  I took a few minutes to talk with Craig Yanagi from JVC about both of these cameras.

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JVC GY-HMQ10

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Press Release

WAYNE, NJ (January 10, 2012) – JVC Professional Products Company, a division of JVC Americas Corp., today announced the GY-HMQ10, the world’s first handheld 4K camcorder, which captures, records, and plays video images at four times the resolution of high definition television. Powered by JVC’s Falconbrid large-scale integration (LSI) chip for high-speed signal processing and a 1/2-inch CMOS imager with 8.3 million active pixels, it delivers real-time 3840×2160 footage at 24p, 50p, or 60p.

“We’re witnessing the birth of what is destined to become a broad market for full 4K end-to-end production,” said Edgar Shane, general manager of engineering.  “The GY-HMQ10 is a breakthrough product that opens up 4K imaging to users who previously wouldn’t have considered it.”

High resolution 4K still picture imaging has been around for several years in DSLR cameras. Motion video capture with these cameras has always been done at a lower video resolution because of lack of processing power.  Likewise, high end digital motion picture cameras may capture 4K images, but often provide a raw data output to an external storage array for later processing—again due to lack of processing power in the camera. There just hasn’t been the ability to capture, process, display and record full 4K images in real time until now.

JVC’s exclusive Falconbrid LSI processing takes raw image data from the camera’s CMOS device and dematrixes (deBayers) it in real time.  Unlike many high end 4K cameras, the GY-HMQ10 is able to output 4K images to a monitor or projection system in real time with virtually no latency.  This capability opens up applications in cinematography, medical microscopy, telepresence, specialized observation / surveillance, and live wide-view event coverage.

Using MPEG-4 technology and a variable bit rate H.264 codec operating at up to 144 Mbps, the GY-HMQ10 records up to two hours of 4K video to economical SDHC or SDXC memory cards.

In addition to 4K imaging, the GY-HMQ10 also captures and records astonishing 1080i or 1080/60p full HD, with extraordinary detail provided by its 8.3 megapixel imager and superior lens.  HD is recorded on a single memory card in a format compatible with most editing systems.  This combination of superb 4K and HD imaging was requested by attendees of JVC’s 4K forums, conducted throughout North America last year, and is unique in the camera industry.

Another feature requested by forum attendees was the ability to crop an HD image from a 4K frame.  This can be accomplished in post production, or in real time during camera playback.  The “trimming” feature makes HD cropping easy using the camera’s touch panel LCD monitor.

Similar in size to JVC’s popular GY-HM150 ProHD camcorder, the GY-HMQ10 includes a build-in F2.8 10x zoom lens with optical image stabilizer, as well as a color viewfinder and 3.5-inch touch LCD monitor with a new, intuitive user interface.  The GY-HMQ10 is built in a familiar, comfortable and lightweight form factor for hours of field production with minimum fatigue.

The GY-HMQ10 is equipped with manual level controls for audio, with audio metering in the LCD and viewfinder displays.  A microphone holder and two balanced XLR connectors with phantom power are located on the handle. The camera is equipped with a built-in stereo mic for ambient sound pickup.

Other features include JVC’s   patented Focus Assist, as well as manual and auto control of focus, iris, gain, shutter, gamma, color matrix, and white balance. Plus, the camera has the unusual capability of live 4K output via four HDMI terminals.

“Historically, JVC has been a leader in camcorder and display technology, and the GY-HMQ10 is our latest breakthrough,” added Shane. “It’s part of a larger move at JVC to bring 4K technology to a wide range of customers.”  In September 2011, JVC introduced an affordable line of 4K projectors to the home theater market.  The company’s high-end 4K projectors are widely used in commercial flight simulators and planetariums.  “4K is the logical step beyond HD,” said Shane.  “And JVC is uniquely positioned to lead the industry in this new direction.”

JVC’s innovative approach to professional 4K will be unveiled in a series of industry announcements beginning at CES and continuing throughout 2012.

At a retail selling price of $4,995, the GY-HMQ10 launches today, with market deliveries beginning in March, 2012.

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The HMQ10 is a very interesting camera. Should give the RED Scarlet a good fight.

Something of note: It this camera can output 3840×2160 footage at 60p, theoretically it should be able to output faster frame-rates at 1920x1080p, such as 72fps, 96fps and 120fps.
Or am I missing something?

Could be a limitation of the SD cards write speed…

Posted by .(JavaScript must be enabled to view this email address)  on  01/15  at  08:07 AM


really its awesome images and videos they posted in this blog and then they given best useful information they posted.

Posted by company secretarial service  on  02/22  at  08:26 PM


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Nikon Launches The 36MP D800

Dan Carr | 02/07- 12:06 AM

Nikon has unveiled the new D800 today which features a 36MP full frame sensor along with all of the video function improvements we saw on the D4.  In an interesting twist, Nikon will also be offering a D800E which is identical except for the omission of the anti-aliasing filter.  This should provide increased sharpness in that variation, but at the expense of possible aliasing on patterned subjects.  With the enormous processing power needed to deal with a 36MP image it comes as no surprise that the D800 is capable of a lower fps burst than it’s predecessor. 4fps in FX mode and 6fps in DX mode.  It’s somewhat puzzling to see that they have also opted to go for two different flash card mediums and notably excluded the XQD format that was introduced in the D4.

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Canon Launches Three New Lenses

Dan Carr | 02/06- 11:48 PM

New 24-70 L II and first wide angle primes with IS

The long awaited replacement to the Canon 24-70 f2.8 L workhorse has finally been unveiled alongside two unique new prime lenses.  The new Canon 24-70 f2.8 L II is 10mm shorter than it’s predecessor as well as 150g lighter which will make a lot of people happy until they hear the suggested price of $2300!  Canon also launched two new primes which are the first wide angle primes in the world to feature Image Stabilization.  A 24mm f2.8 IS and a 28mm f2.8 IS.  Both lenses appear to be very compact and will likely offer usable low shutter speeds which previously were only possible with a much larger aperture wide angle lens like a 24mm f1.4, but for half the size and half the cost.

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