Bruce Dorn
Bruce Dorn has been involved in the visual arts thirty-five years.
Bruce’s photographic career began in 1973 when Conde Nast publishing named him as a Guest Art Director of Mademoiselle Magazine. After opening a studio on Fifth Avenue in Manhattan, Bruce immediately began to shoot photo essays for a variety of fashion, business, and news magazines. He soon expanded his services to include both Annual Report and Advertising photography.
In 1976, Bruce was offered a position as a lecturer at the Fine Art campus of Indiana and Purdue University in Indianapolis where he taught all levels of Design and Photography. In 1980, Bruce moved to Phoenix, Arizona where he opened Studio B, a boutique studio specializing in advertising and visual problem solving. In 1983, an opportunity arose to act as the Director of Photography for series of thirty-second television commercials that took Bruce to the finals of the Clio Awards competition. One of the other finalists in the same category was the Hollywood visual effects powerhouse, Robert Able and Associates. Shortly after the competition, Robert Able interviewed Bruce and offered him the position of Creative Director at RAA.
After relocating to Hollywood, Bruce conceptualized and directed hundreds of national and international television commercials for RAA. In the process, Bruce was inducted into the Directors Guild of America and won numerous industry awards. These include multiple Art Directors Club Awards, Clios, Mobius Awards, and a Bronze Lion from the Cannes Commercial Film Festival.
In 1989 Bruce opened Bruce Dorn Films, a commercial production company specializing in both analogue and digital effects. As a director/cameraman, Bruce specialized in high-risk cinematography. His expertise in motorsport, underwater, and helicopter work was in constant demand until he retired from Hollywood in 2001.
Bruce currently lives in Prescott, Arizona where he and his wife - internationally-recognized digital painter Maura Dutra - operate iDC Photography, a Visual Arts studio. Bruce travels extensively as he serves his commercial clientele, guides digital safaris, and lectures on lighting, photography, and digital film-making technique. Bruce is a Canon Explorer of Light, a Canon Print Master, and a Corel Painter Master. He is also an unrepentant gadgeteer and enjoys inventing all manner of nifty gizmos in his Little Shop of Wonders…
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Thursday, March 26, 2009
Caution: Use of these products may be habit-forming!
With airline baggage restrictions growing tighter by the day, I’ve found myself with some tough choices when packing for “On Location” jobs. Oh sure, I’d love to drag along my beautiful Bron studio packs and heads but the cost of excessive baggage has become, well, excessive…
I needed a more compact solution and have turned to speedlites for most of my smaller jobs. I’m sure I’m not the only one doing so because interest in good, solid speedlite work is the topic of much conversation everywhere I go. Whenever I do a demonstration shoot for Canon at one of the big photo trade shows I’m overwhelmed by the interest in speedlites; especially when they’re applied with some sort of capable light modifiers…
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