Bruce Dorn

Bruce Dorn has been involved in the visual arts thirty-five years.

Bruce’s photographic career began in 1973 when Conde Nast publishing named him as a Guest Art Director of Mademoiselle Magazine. After opening a studio on Fifth Avenue in Manhattan, Bruce immediately began to shoot photo essays for a variety of fashion, business, and news magazines. He soon expanded his services to include both Annual Report and Advertising photography.

In 1976, Bruce was offered a position as a lecturer at the Fine Art campus of Indiana and Purdue University in Indianapolis where he taught all levels of Design and Photography. In 1980, Bruce moved to Phoenix, Arizona where he opened Studio B, a boutique studio specializing in advertising and visual problem solving. In 1983, an opportunity arose to act as the Director of Photography for series of thirty-second television commercials that took Bruce to the finals of the Clio Awards competition. One of the other finalists in the same category was the Hollywood visual effects powerhouse, Robert Able and Associates. Shortly after the competition, Robert Able interviewed Bruce and offered him the position of Creative Director at RAA.

After relocating to Hollywood, Bruce conceptualized and directed hundreds of national and international television commercials for RAA. In the process, Bruce was inducted into the Directors Guild of America and won numerous industry awards. These include multiple Art Directors Club Awards, Clios, Mobius Awards, and a Bronze Lion from the Cannes Commercial Film Festival.

In 1989 Bruce opened Bruce Dorn Films, a commercial production company specializing in both analogue and digital effects. As a director/cameraman, Bruce specialized in high-risk cinematography. His expertise in motorsport, underwater, and helicopter work was in constant demand until he retired from Hollywood in 2001.

Bruce currently lives in Prescott, Arizona where he and his wife - internationally-recognized digital painter Maura Dutra - operate iDC Photography, a Visual Arts studio. Bruce travels extensively as he serves his commercial clientele, guides digital safaris, and lectures on lighting, photography, and digital film-making technique. Bruce is a Canon Explorer of Light, a Canon Print Master, and a Corel Painter Master. He is also an unrepentant gadgeteer and enjoys inventing all manner of nifty gizmos in his Little Shop of Wonders…


Friday, December 05, 2008

Welcome to Studio B!

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As a cursory glance at my long-winded resume will quickly reveal, I’ve been shooting for a very long time.  I’ve never done anything else, actually; every meal I’ve enjoyed – and I do enjoy my meals - has been paid for with monies earned from behind a viewfinder.  Over the course of my thirty-five year professional career as a photographer and filmmaker I’ve seen tons of changes in the industry and well, here we go again… 

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Nikon Launches The 36MP D800

Dan Carr | 02/07- 12:06 AM

Canon Launches Three New Lenses

Dan Carr | 02/06- 11:48 PM

New 24-70 L II and first wide angle primes with IS

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Combined Photo Mechanic & Lightroom Workflow Video

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LIGHTING STRATEGIES: Exploiting a Single Light Source

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Hands On With The Canon G1 X

Dan Carr | 01/16- 11:02 PM

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Hands on impressions with Nikon’s latest flagship

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Dan Carr | 01/12- 12:14 AM

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Hands On Impressions Of The Fuji X-Pro 1

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Photos and video run through of Fujifilms latest retro star

Adobe Launches Lightroom 4 Public Beta

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Time to get testing !

Fuji Launches New X-Pro 1 And 3 Lenses

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Canon Creates Its Own Space In The Marketplace With The G1 X

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Small camera, surprisingly large sensor

Lexar Introduces 1000x Memory Card

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A CompactFlash card capable of 150 MB per second and full HD video.

Datacolor Launches Spyder4 for Simplicity and Accuracy in Color Calibration for all Display Devices

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Spyder4 Express, Spyder4 Pro and Spyder4 Elite Provide Full Spectrum Color Calibration for Creative Professionals






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Nikon Launches The 36MP D800

Dan Carr | 02/07- 12:06 AM

Nikon has unveiled the new D800 today which features a 36MP full frame sensor along with all of the video function improvements we saw on the D4.  In an interesting twist, Nikon will also be offering a D800E which is identical except for the omission of the anti-aliasing filter.  This should provide increased sharpness in that variation, but at the expense of possible aliasing on patterned subjects.  With the enormous processing power needed to deal with a 36MP image it comes as no surprise that the D800 is capable of a lower fps burst than it’s predecessor. 4fps in FX mode and 6fps in DX mode.  It’s somewhat puzzling to see that they have also opted to go for two different flash card mediums and notably excluded the XQD format that was introduced in the D4.

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Canon Launches Three New Lenses

Dan Carr | 02/06- 11:48 PM

New 24-70 L II and first wide angle primes with IS

The long awaited replacement to the Canon 24-70 f2.8 L workhorse has finally been unveiled alongside two unique new prime lenses.  The new Canon 24-70 f2.8 L II is 10mm shorter than it’s predecessor as well as 150g lighter which will make a lot of people happy until they hear the suggested price of $2300!  Canon also launched two new primes which are the first wide angle primes in the world to feature Image Stabilization.  A 24mm f2.8 IS and a 28mm f2.8 IS.  Both lenses appear to be very compact and will likely offer usable low shutter speeds which previously were only possible with a much larger aperture wide angle lens like a 24mm f1.4, but for half the size and half the cost.

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